Preliminary Examination in Music

A

• 1.  The subject of the Preliminary Examination in Music shall be the study of the history, criticism, theory, composition, performance, and practice of music.

B

Each candidate will be required to offer papers 1-34 and two of the options in paper 45.

• 1.Techniques of Composition and Keyboard Skills

• The paper shall consist of two parts:

  • A. Techniques of Composition:
    

    A seven-day take-away paper in which candidates should attempt three questions: the two compulsory questions and one other. The examination paper will be available for collectionFoundations in the Music Faculty Library from noon on TuesdayStudy of WeekMusic 5(in-person inwritten the Trinity Term in which candidates are presenting themselves for examination. Completed papers must be submitted to the Chair of Preliminary Examination in Music, Examination Schools, High Street, Oxford, not later than noon on Tuesday of Week 6 of the same term. Each paper must be accompanied by a declaration, in a sealed envelope bearing the candidate’s examination number.

    exam)
  •  
  • B2. KeyboardStylistic Skills
    

    A practical examination in which candidates will be asked to: (a) realise a figured bass line at the keyboard orComposition, where appropriateArranging, onand anotherTranscription continuo(coursework instrument (e.g. lutesubmission); (b) read at the keyboard three- or four-part writing in three different clefs. Preparation time for candidates in the examination will be 30 minutes.

•  

• 23.  Musical Analysis and Critical Listening
  
  

• The paper shall consist of two parts:

  • A.a)  Musical Analysis
     

    A(online three-hourwritten paper in which candidates will answer one question from a choice of two.exam)
    

  • B.b) Critical Listening
     

    Assessment(coursework is by means of a take-away paper, consisting of three recordings with brief instructions, issued on Tuesday of eighth week of Hilary term. Submissions will be due on Tuesday of first week of Trinity term. Students will be required to submit a preliminary non-verbal representation/transcription/analysis, supported by a commentary of no more than 750 words.submission)
    

• 34. Topics SpecialI Topics
  

  A(in-person three-hourwritten paper in which candidates should attempt to answer three questions.exam)
  

• 45.  Options

  Candidates must choose two from the following:

  • ( a) A musicological topic (in-person written exam) Foundations in the Study of Music
    

    A two-hour paper in which candidates should attempt to answer two questions.

  • (b)  Composition

    Candidates will be required to submit a portfolio of compositions and to take a listening examination. The Composition Portfolio must be submitted not later than noon on Tuesday of Week 5 of Trinity Term and accompanied by a declaration of authorship placed in a sealed envelope bearing the candidate's examination number. The specifications for the portfolio are as published in the Faculty Undergraduate Handbook relating to the examination. 

  • (cb) Performance

    A solo performance, vocal or instrumental, of some 10-12 minutes in length. Instrumental candidates may choose to perform a single work, a movement from a longer work, or two pieces in contrasting style. The choice of instrument is limited to related families of instruments. Singers may choose to perform up to four pieces. Programmes must be submitted to the Chair of Preliminary Examination in Music, Faculty of Music, St Aldate’s, not later than noon on Friday of Week 6 in the Hilary Term of the academic year in which the candidates are presenting themselves for examination.

  • (d) Extended Essay 

    (coursework submission)
  • An essay of 4,000-5,000 words on a subject to be chosen in consultation with the candidate's tutor.
     

  The

  •  
  • c) ExtendedComposition Essay
    • i) mustPortfolio beSubmission submitted
    • ii) notAn laterIntroduction thanto noonContemporary onMusic Tuesday(listening of Week 5 of Trinity Term and accompanied by a declaration of authorship placed in a sealed envelope bearing the candidate's examination number.
      exam)
  •  
  • d) Performance 
  • A solo performance, vocal or instrumental, of 10-12 minutes in length (short recital). 
    
  •  
  • e) Critical Studies in Ethnomusicology  
    (online written exam)  
    

  A

  •  
  • f) two-hourMusical paperSkills in
  • Candidates which candidates should attempt tomust answer any two questions.
     from the following:
    • i) Conducting Skills (practical exam)
    • ii) Keyboard Skills (practical exam)
    • iii) and iv) up to two additional SCART papers (coursework submission) 
    •  

Candidates who fail one, two or twothree of papers 1, 2, 3, or4, 45 above may resit only that paper or papers at a subsequent examination; candidates who fail threefour, five or foursix papers will be required to resit all foursix papers at a subsequent examination.